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And they worshiped the dragon [the prototype of Pabaisa] which gave power unto the beast [the archetype of Pabaisa]. And they worshiped the beast, saying: „Who is like unto the beast? Who is able to make war with him? „
    - The Revelation of John, 13, 4

Pabaisa – the Immoralist, the Antichrist, the Anarchist, everything, that is opposed to civilization, the breaker of codes and rules; the man with the strength of a giant and the brain of a child; the soul contract Terminator and the wish fulfilling Mephisto. Pabaisa imagines himself as a green-skinned, sharp-toothed, bird-of-prey-nosed, hatty, sabotted and with dingy purple dusters, even if no one is afraid of him outwardly and react to his grotesque smile neutrally. The blind, who don’t see the accursed wickedness and consider him as a friend. The feelings of abandonment, terror and lost identity spring from the degenerate’s inner being, his projection of himself as a despicable demon, who looks at his own reflection in pond like Narcissus, and cannot see himself truly, so he rolls away from his Olympian mountain of solitude and seclusion, and engages on a journey through dark, naked forests and barren, scorched deserts, searching for something, which would give him an identity, an understanding and a shelter. The beast does not look aggressively in reality, even on the contrary, like a sociopath, like all the rest, maybe even a perfect replica of a human. The intra-speciary predator is unfazed by the hunters in this regard.

The problem of Pabaisa‘s sexuality: Pabaisa is only partly a man. At least, he doesn‘t perceive himself as one. Due to accidental meiosis and gene selection, his body was born as a man. Pabaisa doesn‘t see himself as a woman, either. There is no hidden desire to be a woman, no secret jealousy. For all he knew, it didn‘t matter, if he‘s a man, a woman or both. Things like sex and sexuality didn‘t matter, from an abstract perspective to life; he could become any with the circumstances. He was a man, but he could easily become a woman any time he wished, if he felt, that the circumstances demanded it. The mastery of disguise.

First metamorphosis: Schizophrenia and split-personality disorder. Five different voices in his head and 1 = ½ + ½, or A = B + C. A as the state before Lucifer gets thrown out of Heaven, like a pure state, B and C as different embodiments of “evil”, annihilators of “good” and destroyers of life, i. e. chimeras and killers with the thirst for power and the hate for weakness. Question: Why? Answer: The man’s becoming a half-man, or two half-men, was prompted by his genius-overman flight to the skies of brilliance, which was replaced by anti-genius, when he flew too high to the Sun, or madness, and burned like Icarus. The absence of identity, family, friends from birth or losing them along the way. Adam without his Eve, or the inability to hide from humanity without his species representative. The Colossus B is Pabaisa’s A part, which doesn’t want an identity from the start, being the universal bodily brutality in the world of objects. The Titan C is Pabaisa’s A part, which wants an identity from all his heart, despite the consequences, being the conscious identity-subjectivity seeker. From appearances alone, one would say that here exists an extreme complex duality and conflicting characteristics, despite this, they both are nihilistic psychopaths, who, due to an open intimacy, love each other more than the lost A, the last connection with humanity, which they forged.

It seems, that monster’s C only goal, like some kind of ambitious animal, who is playing God, is to give others power, or value, maybe he even wants to create a race of snakes. Save himself by saving his saviors? Still, when the vampire extracts and reaches the other person’s zenith of happiness and the height of potential, when there is no place to climb higher, for him that person becomes a bore and he feels incomplete, which makes him act with cruelty and kill the parasitical person from hunger. On the other hand, the giant B is bathing in nihilistic conscious revelations about the indifference of the universe and the relativity of values, by which he tries to justify his murders. Cerber C didn’t want an identity connected to physical activity, which will never satisfy him, but with intellectual; he wanted an identity, which embodies everything he is opposed to, so he searches out the aristocrats.

Second metamorphosis: Narcissistic possession of a Prince. Prince is not as much of an ogre’s fruit of labor, as that, which Nietzsche claimed to be as soul-awareness transformation’s third stage. In short: 1. The camel – memory. 2. The lion – will-to-knowledge. 3. The child - wisdom. In this case, Prince is something of a “second childhood”, radiation of will-to-live and the forging of new values. Prince to the devil is everything, which he desires by his understanding of identity at that time: a status in society, political power, money, reactionary disregard for the sheep morality, wide connection circle, etc. The creature endures his hunger and postpones this inevitability for a long time for the means to an end, but one thing is missing – the War ambition, the natural evolutionary development condition, the only Art form of the ruling elite. The seven-headed, ten-horned and ten-crowned behemoth rises up and swallows up his Father and Mother, the King and the Queen, burning everything behind him and searching for a greater height, a new order within himself, which would shake the whole foundation of the Earth. The barbarian should not be held responsible for the killings of other people, because it is in his nature to be the Machiavellian, to be the blond beast-of-prey, devouring the lives of others.

Third metamorphosis: Re-integration into one person. The need to become singular: the pianist’s cut off arms, the drowning man\\\'s oxygen, the thirsty man’s water need. I am you. You are me. We are one. Prince is the outcast. We always were a monster, with a human side, which desperately clung to an identity, to save ourselves from drowning. The dragon with his identity as a Prince and as a Kreator gulps down the centaur without an identity. The active nihilism overcomes the passive nihilism. The monster, with a monster’s hunger, with a monster’s appetite, munching his other half from within. Pabaisa in a poisoned garden of Eden, knowing and wallowing in his own death, was made wild and totally uncontrollable, to satisfy his every desire, to realize his every ambition with unconditional commitment. And only then the Leviathan experiences his second true suffering, - having in mind, that the first one was the absence of identity, - not by killing his family and humanity, but whilst assimilating his other half, his primordial anonymity. The formless, faceless, nameless mammoth of a Prince, in the past only thinking of himself as un-and-in-human, feels a human, an all too human, familiarity with humanity, as if being a slave to the collective unconscious programming, which doesn’t have any uniqueness, personality or individuality, as if all the memory was implanted into his robotic brain – the gargoyle, who achieves cold intellectual empathy, the Satan, who finally kills God and outgrows the nameless humanity and its identity, swallowing it and making it his little, dirty dog-bitch. Ego-centrism as a whole humanity’s ego. Not power through wisdom, but the “real” world’s transcendence, which is denied to the rational mind. My name is Titas, for I am many.

Mutant A, troll B and savage C in the consequence of all the metamorphoses become phoenix A again, who has no identity, because it is stolen from the Prince, and made his own. The achieved pseudo-identity results in an existentialist tragi-heroism: after finding an identity, a meaning of life, Moby Dick understands, that the identity is the reaction between him, the other person and the whole world, that there is nothing, who could call him by his name, his meaning of life effectively disappears. The eternal incognito, a walking corpse and the super-cannibal in the end returns not even there, where he started, but into a negative sequence, because the beauty of the identity has disappeared, leaving only a heart filled with choking terror and disgust. The last man standing syndrome: will-to-life and will-to-power as will-in-itself, the loss to the world is its conquering. And so stands the Prince of princes, saying to himself, that if he is made of the parts and characteristics of dead people, then, basically, he is a person, but because they are dead, he never himself is alive. What scares the most – the paradoxical hunger in Pabaisa’s eyes and a satisfaction with his fake identity. Nobody stands on top of the world, except the highest alpha predator, who doesn’t have any dreams or hopes, who exists alone only to write himself an ending, then he will stop wandering and not knowing eternally his unbelievably mysterious soul, ignorant of boundaries and fears, but constantly fighting within itself. The realization, that you cannot become “a fake somebody”, but you can become “a true nobody”, the last prophet of the nihilistic truth of the universe. The wind became stronger, its screeching howl louder, and the air colder, as the demiurge’s eyes ached, while he was smiling into the Void.

Question: What is meaning of the story? Answer: No meaning. The worthlessness of efforts. To acquire, what is wanted, but to understand, that it doesn’t mean anything. To see, that there is no difference between good and evil, well and bad. Finally, a man can become anything he wants according to his wishes. He doesn’t have to take the walked-out road. He has a freedom of choice… People are like dice, they throw themselves in the direction of their own choosing.

Moral: If you admit your ontological uniqueness, identity becomes unimportant.

Sincerely, your friendly neighborhood Pabaisa.

2018-09-14 06:46
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